Max Richter The Blue Notebooks
The Blue Notebooks was Max Richter's second solo album, a distinctive and adventurous work that is beautifully recorded and cinematic in scope. Opening with a text from Franz Kafka over a sparse piano melody, the album moves through heart-wrenching strings of On The Nature Of Daylight to lyrical piano pieces. Using piano, cello, violin and viola, alongside electronic beats (made using a variety of antique electronics and Reaktor), spoken word passages and the occasional field recording (including a very realistic crow that you probably think comes from your garden); other sounds were generated via old guitar pedals and vocoders.ArtistMax RichterLabelDeutsche GrammophonBindingAudio CDNumber of Discs1Release DateItem Dimensions5.59 x 4.96 x 0.39 inchesItem Weight0.2 poundsPackage Dimensions5.55 x 4.97 x 0.54 inchesPackage Weight0.18 pounds.
On The Nature Of Daylight
Artist: Max Richter Album: Collection Genre: Classical Year: 2002-2017 Size: 8. 47 gb Source: CDs, Digital download Format: FLAC (tracks) Quality: lossless Sample Rate: 44.1 kHz / 16 Bit Description: Blending classical, electronic, and rock influences into a style he calls “post-classical,” composer/programmer Max Richter ignores boundaries in favor of haunting, strangely familiar sounds. This approach made him an in-demand composer for film and other types of performing arts, as well as an acclaimed artist in his own right. Born in Germany in the mid-’60s, Richter and his family moved to the U.K.
When he was still a little boy; by his early teens, he was listening to the canon of classical music, as well as modern composers including Philip Glass, whose sound was a major influence on Richter.There's more to talk about. Great discussions are happening here on Disqus. You'll never be bored.The Clash, the Beatles, and Pink Floyd were also important, along with the early electronic music scene; inspired by artists such as Kraftwerk, Richter built his own analog instruments. He studied composition and piano at Edinburgh University, the Royal Academy of Music, and in Florence with Luciano Berio.
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Richter then became a founding member of the Piano Circus, a contemporary classical group that played works by Glass, Brian Eno, Steve Reich, Arvo Prt, and Julia Wolfe, and also incorporated found sounds and video into their performances.Dead Cities After ten years and five albums, Richter left the group and became more involved in the U.K.’s thriving electronica scene, collaborating with the Future Sound of London on Dead Cities (which features a track named after him) and Isness; he also contributed orchestrations to Roni Size’s In the Mode. Richter’s own work evolved from the Xenakis-inspired music of his early days into something that included his electronic and pop influences: 2002’s Memoryhouse introduced his mix of modern composition, electronica, and field recordings, and the following year’s stunning Blue Notebooks — inspired by Kafka’s Blue Octavo Notebooks — showed off a more streamlined, and more affecting, version of this sound. Post navigation.